The creepily quiet sound design is enhanced by Joseph Bishara's score. The traveling Steadicam work, the lengthy shots, the establishing of three-dimensional space, and the sharp editing all contribute to a strong moodiness. And while La Llorona often feels like a copy, it's undeniably more effective than many other choppy, shaky-cam horror movies. It effectively copies the directing style of James Wan ( The Conjuring, The Conjuring 2), who serves as a producer here. The feature directing debut of Michael Chaves, The Curse of La Llorona is the sixth entry in the Conjuring universe. Though it certainly could have been scarier and made better use of its premise, this film is still an accomplished, skillful effort in terms of its crisp, fluid look and spooky sound design.
Check out new Common Sense Selections for games.10 tips for getting kids hooked on books.Common Sense Selections for family entertainment.It’s not really right to do an onoffical spinoff without the full team. But The Conjuring franchise is created by a team that’s been there since the beginning. But James was on as a producer, the conversation got started about an Easter Egg. “The idea was just to have a playful connection because the myth of La Llorona can stand on its own. “It’s a tricky situation, I don’t want to give away any trade secrets,” Chaves continued. But as La Llorona is an outsider herself, I think it fits.
And that’s why it has this outsider status. The plan was, you would get into it, and then it’s like, ‘Oh my God, they’re connected!’ We weren’t, from the beginning, supposed to be doing that. But it wasn’t supposed to be marketed that way. Originally, there was only supposed to be a playful nod, by putting The Father in and having the Annabelle flash.
“The very simple reason isn’t it was made without one of the producers, so technically it can not be fully embraced,” Chaves explained.
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